The 98th Annual Academy Awards, held at the historic Dolby Theatre in Los Angeles, served as the backdrop for a series of high-stakes moments, ranging from cinematic triumphs to unexpected logistical challenges. Among the more dramatic personal incidents of the evening was a significant wardrobe malfunction involving Sabine Getty, the 41-year-old billionaire socialite, jewelry designer, and film producer. Getty, who attended the 2026 ceremony as an executive producer of a nominated documentary, experienced a harrowing moment when the hem of her bespoke Ralph Lauren gown became entangled in an escalator mechanism within the venue.
The incident, which Getty later described to her substantial social media following as a "hectic" and "near-death dress massacre," occurred during a transition period within the Dolby Theatre. As the socialite navigated the multi-level facility, the delicate fabric of her floor-length ivory silk gown was drawn into the base of the escalator. The mechanical entanglement rendered her immobile, necessitating immediate intervention from theatre staff and security personnel.
The Mechanics of a High-Fashion Incident
The gown in question was a sleeveless, ivory silk creation by American fashion house Ralph Lauren. Designed with a minimalist front and intricate cutouts on the back to provide what fashion critics described as a "sultry flare," the dress featured a trailing hemline characteristic of red-carpet couture. While such designs are staples of the Academy Awards, they present unique navigation challenges in high-traffic environments equipped with heavy machinery such as escalators.
Eyewitness accounts and video footage shared by Getty via her Instagram account depicted the socialite sitting at the base of the escalator as technical staff worked to dislodge the silk fabric from the machinery. The delicacy of the material meant that any sudden movement or improper handling could have resulted in the total destruction of the garment or, more significantly, physical injury to Getty herself.
During the extraction process, a staff member was heard suggesting that the ensemble might need to be "shortened"—a euphemism for cutting the fabric—to free her. Getty’s reaction, documented in her social media "carousel," showed her visibly distressed, covering her face with her hands and stating, "No, it’s really sad," in reference to the potential loss of the designer piece. Despite the tension, Getty maintained a degree of levity, remarking on the beauty of the dress even as it remained trapped in the metal teeth of the escalator.
Cinematic Contributions and the 98th Academy Awards
Sabine Getty’s presence at the 2026 Oscars was not merely as a figure of the international social circuit but as a professional contributor to the year’s cinematic landscape. She served as an executive producer on the 2025 docudrama titled The Voice of Hind Rajab. The film, which garnered significant critical acclaim prior to the awards season, follows the harrowing true-life account of Red Crescent volunteers responding to an emergency call from a six-year-old girl trapped in a vehicle under fire in Gaza.
The production was nominated in the category of Best International Feature Film, a testament to its impact on the global film community. The category was ultimately won by the film Sentimental Value, but the nomination solidified Getty’s transition from jewelry design and socialite status into serious film production. Industry analysts noted that the inclusion of The Voice of Hind Rajab in the nominations reflected the Academy’s ongoing commitment to highlighting socio-political narratives and documentary-style storytelling.
The contrast between the grave subject matter of her film and the "drama" of her wardrobe malfunction was not lost on Getty. In her digital correspondence shared after the event, she juxtaposed the "hectic" nature of the awards ceremony with the specific chaos of the escalator incident, highlighting the high-pressure environment that defines the Oscars for both nominees and attendees.
The Getty Legacy and Personal Background
Sabine Getty (née Ghanem) has long been a fixture of the European and American elite. Born in Geneva and raised in Switzerland and Lebanon, she brings a multicultural perspective to her creative endeavors. In 2015, she married Joseph Getty, a hedge fund manager and a direct descendant of the legendary oil tycoon J. Paul Getty. The union joined two influential families, and the couple has since become prominent figures in London and New York philanthropic circles.
Reflecting on her heritage in a recent interview with Vogue Arabia, Getty emphasized the influence of her Lebanese roots on her aesthetic and resilience. "My soul is Lebanese; I may not look it, but at my core, I am," she stated. She described the "wild, intoxicating beauty of Beirut" and the "chaos and elegance coexisting" in the city’s architecture as a primary inspiration for her jewelry designs and her approach to life. This philosophy of finding beauty within chaos was seemingly put to the test during the Dolby Theatre incident.
The Gettys celebrated their tenth wedding anniversary in 2025, a milestone Sabine described as a "real achievement." She noted that the challenges of the COVID-19 pandemic served as a turning point for their relationship, strengthening their bond. The couple shares two children, daughter Gene and son Jupiter, and maintains a residence in London, where Sabine continues to operate her eponymous jewelry brand.
Safety and Logistics in Historic Venues
The incident at the Dolby Theatre raises broader questions regarding the intersection of extravagant fashion and venue safety. The Academy Awards are famous for "trains" and "mermaids" silhouettes that often exceed several feet in length. In a facility designed to move thousands of people quickly—such as the Dolby Theatre, which has hosted the Oscars since 2002—the physical risks associated with these garments are non-trivial.
Historical data suggests that Getty is not the first to suffer a "wardrobe-versus-architecture" mishap at the Academy Awards. From Jennifer Lawrence’s famous stumble on the stairs in 2013 to various minor snags on the red carpet, the logistics of the event are notoriously difficult for those in high-fashion attire. Safety experts suggest that while escalators are standard in large theaters, they pose a specific hazard to the "red carpet" demographic.
In response to the incident, there have been informal discussions among stylists and event coordinators regarding the "safety-first" approach to award show dressing. While Getty’s incident ended without physical injury, the "near-death dress massacre" highlights the need for specialized "dress handlers" or increased awareness of mechanical hazards during the transition from the red carpet to the auditorium.
The Aftermath and Public Reception
Following the ceremony, Getty’s transparency about the incident was met with a mix of sympathy and fascination from the public. By sharing the "behind-the-scenes" reality of the night, she humanized the often-impenetrable glamour of the Getty family and the Oscars. Her caption, "The DRAMA @theacademy," served as a succinct summary of an evening that was supposed to be about cinematic achievement but was briefly overshadowed by the mechanical appetite of an escalator.
The socialite’s perspective on fashion remains unchanged despite the mishap. She has previously stated to Tatler that "it’s always the dress that leads me." For Getty, fashion is a "playground for self-expression," a sentiment she upheld even when her expression was physically caught in the infrastructure of the Dolby Theatre.
As the 98th Academy Awards conclude, the narrative of Sabine Getty’s night remains a standout anecdote. It serves as a reminder of the unpredictability of live high-profile events, where the line between a triumphant walk to a seat and a mechanical emergency is as thin as a layer of ivory silk. Getty’s ability to navigate the crisis—assisted by a dedicated staff and her own sense of humor—ensured that while her dress may have been compromised, her reputation as a resilient and prominent figure in the film and fashion industries remained intact.
The incident is expected to be a footnote in the history of Ralph Lauren’s red-carpet appearances, perhaps prompting future designs to consider the mechanical realities of modern award venues. For Getty, the night was a blend of professional pride for her nominated work and a personal lesson in the literal pitfalls of high fashion.

